Saturday, 18 September 2010

Camera Testing

Yesterday Yosuke, Murat and I went to visit Concept Cameras to do some camera tests. There's a certain look that we want for the film so we thought we'd try out several cameras and a range of lenses to see how we can best achieve it. There are still a few points we have to think through, but the tests were hugely helpful and we now have a definite idea of what our options are (and the pros and cons they bring with them). So many thanks to Agis for letting us come and have a play!

Testing the Canon EOS 7D

Testing the Canon EOS 5D Mark II

Testing the RED One

After we left Concept we had a long talk about lighting. Lights are expensive and our budget is small, but the ideas are coming together and we're already planning ways to work around our financial limitations. Once the script is rewritten I'll start working properly on the storyboards so can solidify our lighting plans.
- Alex

Wednesday, 15 September 2010

Running up to the Read-Through

The cast read-through. Left to right: Paul Nicholls (Bobby), Nathaniel Martello-White (Tom), Jamie Di Spirito (Pete), writer/director Alex Barrett, Jayne Wisener (Jay), Hannah Tointon (Claire).

So, the whirlwind that I mentioned in my last update seems to be continuing. Yesterday was our cast read-through day, which was a brilliant experience for me. But before I get to that, let's rewind...

It's been a crazy few weeks, but it's a very exciting time and we are inching ever closer towards making this film a reality. Enough funding has fallen into place for us to make the film, and our shoot dates are now set. As is always the case with these things, this fantastic step forward for the project came with a downside: due to scheduling conflicts Jenna-Louise Coleman, Joel Dommett and our original cinematographer Bartlomiej Sienkiewicz have had to step away from the project. They have all been very supportive towards the film and I'd like to publicly thank them for their time and enthusiasm, and wish them the best with their new ventures.

As the eagle-eyed amongst you will have already noticed from the updated crew-list on our website, we wasted no time in finding a new cinematographer, and I'm very pleased to say that the very talented Yosuke Kato has taken on the role. I've brought him up to speed with the project and I think we're going to make a great team. If we can pull off the things we're talking about then this film is going to look amazing. Yosuke is not the only new crew member, and I'm very excited about the fantastic team that we've been able to assemble for the film, who include Production Manager Emily Lomasney, Production Designer
Niina Topp, Costume Designer Charmaine Parram, Makeup Artist Lisa Smith-Milne and our online social marketing superstar, Justine Priestley.

Equally exciting to all this is our new Claire: I'm very pleased to announce that actress Hannah Tointon has joined our cast. As the read-through yesterday proved, Hannah is fantastic in the role and a real pleasure to work with. It's brilliant to have her on board and once the film is done I know you'll all understand why I'm so excited. All the cast gelled so well at the read-through that I can't wait to get this film on screen so I can share it with you. I'd always imagined that it would take us weeks to get to the stage where the actors shared with each other in the way that the characters do in the script: instead it took minutes. There was a real generosity of spirit in everyone that I found infectious. Their input into the script and the characters (both through ideas for script tweaks and performance) is going to take this project to the next level. A character piece such as this was always going to live or die by the quality of the actors involved, and based on what I saw yesterday we are very much alive.

The cast after the read-through. Left to right: Paul Nicholls (Bobby), Nathaniel Martello-White (Tom), Jamie Di Spirito (Pete), Jayne Wisener (Jay), Hannah Tointon (Claire).

The read-through was very swiftly followed by a crew meeting (yesterday was something of a mammoth day, it's safe to say). I subjected everyone to an hour and half of me droning on about the style of Life Just Is as I see it. I talked and showed some clips and images from films which I think serve as references. I like to work collaboratively with my crew, so the idea was to try and explain my vision for the film in more detail: that way we're all on the same page and everyone can input ideas which lead in the same direction.

There's certainly a lot of work for us to do in the next few weeks as we lead up to the shoot. But after yesterday I am feeling extremely energised and ready to face the challenge head-on.
- Alex.

Thursday, 26 August 2010

Moving Forward

Right now it's like I'm living inside a pressure cooker. So many things are happening with Life Just Is that I don't know where to begin... so for now it'll have to suffice to say that things are moving forward and the project is starting to gain momentum. If all goes to plan, next month we'll be holding a read-through on the script with the actors, which is something I'm very excited about. The idea is to get their input, scene-by-scene, and to talk more generally about the characters and their relationships. I will then write another (hopefully final) draft of the script off the back of these discussions. To prepare for this I've been breaking the script down moment-by-moment and looking over all my character notes.

In addition to the read-through prep, I've also been working on finding more crew members to join our team. At the moment everything is a whirlwind, so I don't want to say any more... but I hope we'll have more news soon.
- Alex

Thursday, 12 August 2010

Life's Just Networking Photographs, August 2010

On Tuesday night we said farewell to the first run of our networking event with a fantastic night of shorts, presentations, networking and a discussion of the making of two microbudget features. Although we're now on hiatus while we go off and make our own feature, we'll be back at some point further down the line. As ever, you can keep up to date by following along here. The response to our first run has been fantastic, and I'd like to extend my thanks to everyone who has been a part of it in one way or another, from the filmmakers to the audience to the monthly team who help me run the events. On the production side, things are moving slowly forward and we'll be posting regular updates here as we roll further toward production of Life Just Is.
- Alex

Writer/Director Mike Rymer discusses his film 'Sick'

Writer Suzanne Heathcote discusses her film 'Covered'

Writer Joe Banks discusses his film 'Where's Alan?'

Writer/Director Marc Hardman discusses his film 'We Are What We Drink'

The Crowd

Joe Banks presenting his new project

Marc Hardman presenting his new project

Nicholas Paton talking about his microbudget feature film 'Macbeth'

Networking

Networking

Networking

Tuesday, 3 August 2010

Life's Just Networking Photographs, July 2010

With all the excitement surrounding our casting last month I'm aware that the photographs from our July event never got put online...so, here they are! We're back at The Duchess on 10th for one last event before we go on hiatus, so be sure to come along!
- Alex

Some pre-film networking.

Stephen Fingleton talking about his film Driver.

Taking a question from the crowd.

Scott Cutts talking about his film Spicy Dealings .

Avgousta Zourelidi talking about her animation Dog's Day Afternoon.

Valmike Rampersad talking about his starring role in Get to Know Me.

LJN host Alex Barrett.

Friday, 16 July 2010

Casting Announcement

And so here it is: I am very very excited to announce the actors that we have cast in the six lead roles of Life Just Is! Seeing them breathe life into the characters that I started creating so long ago has been a great experience for me, and I look forward to being able to share it with you once the film is finished. I can't wait to start working with Jayne, Jenna, Paul, Nathaniel, Jamie and Joel to develop their characters and create something special for the screen. More soon.
- Alex

Please click on photos to see biographies (will open in a new window)

Jayne Wisener
Jay

Jenna-Louise Coleman
Claire
Paul Nicholls
Bobby


Nathaniel Martello-White
Tom
Jamie Di Spirito
Pete

Joel Dommett
David

Wednesday, 14 July 2010

Casting: A Journey

On August 27th last year we announced that Casting Director Jane Frisby had joined our team, and that we hoped to begin casting the film in the following months. We even opened a call for CVs and headshots through our mailing list. It was early days for the casting process and we knew that it would take some time, but back then we didn't know just how much time it would take!

Around October, shortly after Tom came on board the project as producer, we took the first steps towards casting, but we then decided to concentrate on developing the script and other aspects of the project, delaying the casting until we knew we were ready for that stage of the process.

This took us up to March 2010, six months after our initial announcement. But Jane was busy working on The Fighter's Ballad, her first foray into the world of feature film producing. Although at this time we could have progressed without Jane, we didn't want to do that. Tom and I were looking forward to working with Jane and we knew that her experience and expertise would prove invaluable to the project. So we waited. Then, finally, in early May we were ready to begin the process in earnest. We had a long list of applicants from our initial casting calls, so now it was a case of doing some shortlisting. This in itself was no easy process due to the overwhelming number of CVs to consider, but decisions were made and the script was sent out. Based on previous experience, we decided that we would shortlist twice as many actors as we were hoping to see - a 50% drop off was inevitable, we thought. Some people won't be available, some won't like the script, some won't be willing to work at a microbudget level. That's just the way it goes. We set our dates: 10th and 11th June for auditions, 15th June for callbacks. In other words, the casting would be done between my trips to the Hamburg International Short Film Festival and the Edinburgh International Film Festival and July would be nice and peaceful. If only.

What happened was this: the response to the script was phenomenal. Far greater than we had planned. Agents kept suggesting new people, our drop off rate was negligible, and suddenly we had almost twice as many people wanting to be seen as we had planned to see. So the 15th became a nonstop day of additional auditions (literally – from 9.30 till 6.30 with no breaks!), and callbacks were moved to the 30th.

With hindsight, trying to do the callbacks only four days after our initial auditions would have been overambitious. Even with a trip to EIFF in the middle, the two week turnaround was more sensible, allowing us to think things through, to plan and to organise ourselves and the actors (we were seeing the actors in groups of six, the number of parts we were casting, and this did take some organisation). The callback day went brilliantly, but there were a few people whose initial auditions we'd loved who couldn't make it along. So suddenly an extra callback day was added: Tuesday 6th July. The process was becoming protracted. But we had to get it right. I was spending days poring over the tapes and nights dreaming of various combinations of actors. My consciousness was submerged.

By the time the 6th came and went, certain things had become clear. Seeing the actors together had made us realise particular things about the group dynamics that we'd perhaps lost sight of in the initial audition phase. We soon reached decisions about three of the six parts, but we decided that before filling the other roles we needed to see how certain people worked with each other. So a final callback day was arranged, with a very select group of actors.

After six casting days, and many hours spent looking at audition tapes, our decisions finally became clear. It was like a weight was lifted; everything clicked into place. We were ready to make our offers...

And so, with that, the six main parts of the film are cast. Once we've picked up the pieces and caught our breath we'll be starting the process again, searching to find people for the remaining, secondary parts. But for now we can breathe.

We will be making an official announcement about our leads in the next few days, so please check back soon for details. Needless to say, I am extremely excited about the actors that I will be working with on the project, and I can't wait to move further into production on the film.

Before finishing this post I would also like to say a big, public thank you to all of the actors who came in to audition. We were constantly amazed by the high quality of the performances we saw and I genuinely hope to work with many of them in the future.

- Alex